Eric Hutchinson is a contributor to the University of Vermont's History Forum. In this literary analysis grounded in social history, he shows how Rushdie's hybrid text on creativity, mysticism, psychosis, orthodoxy and negotiation contains layers of self-fulfilling prophecy and opens up the aporetic division between subjective freedom and traditionally defended authoritarianism, a disturbing which runs like a subtext through our times. more»
The contemporary history of cutural coercion, of which the response by religious zealots to Peter Heehs' The Lives of Sri Aurobindo may be seen as an instance, draws its legacy from Ayatollah Khomeini's fatwa on Salman Rushdie for writing The Satanic Verses:
It's 20 years since Iran's religious leader Ayatollah Khomeini pronounced a death sentence on Salman Rushdie for 'insulting' Islam with his novel The Satanic Verses. The repercussions were profound - and are still being felt. Andrew Anthony traces the course of the affair, from book-burnings and firebombings to the dramatic impact it had on freedom of expression in a multicultural society:
Who would dare to write a book like The Satanic Verses nowadays? And if some brave or reckless author did dare, who would publish it? The signs in both cases are that no such writer or publisher is likely to appear, and for two reasons. The first and most obvious is fear. The Satanic Verses is a rich and complex literary novel, by turns ironic, fantastical and satirical. Despite what is often said, mostly by those who haven't read it, the book does not take direct aim at Islam or its prophet. Those sections that have caused the greatest controversy are contained within the dreams or nightmares of a character who is in the grip of psychosis. Which is to say that, even buried in the fevered subconscious of a disturbed character inside a work of fiction - a work of magical realism fiction! - there is no escape from literalist tyranny. Any sentence might turn out to be a death sentence. And few if any of even the boldest and most iconoclastic artists wish to run that risk.
The recent case of The Jewel of Medina, a work by Sherry Jones which is neither bold nor iconoclastic, exemplifies the problem. In 2007 the American publishers Random House bought the rights to this historical novel about the prophet Muhammad's wife Aisha. By all accounts the book is something of a cheesy romance. Jones herself believes it is a circumspect fiction which "portrays the prophet Muhammad as a gentle, compassionate, wise leader and man respectful toward women and his wives". But a professor of Middle Eastern studies named Denise Spellberg advised Random House that it might provoke violence. The publishers duly cancelled the publication.
"We stand firmly by our responsibility to support our authors and the free discussion of ideas, even those that may be construed as offensive by some," Random House explained in a statement. "However, a publisher must weigh that responsibility against others that it also bears, and in this instance we decided, after much deliberation, to postpone publication for the safety of the author, employees of Random House, booksellers and anyone who would be involved in distribution and sale of the novel."
This has become a familiar conceit in recent years: we defend the right of freedom of expression but prefer not to exercise it in situations that might endanger us. Random House publish Rushdie, and he was angered by what he saw as a capitulation to the threat of Islamic reprisals. "This is censorship by fear, and it sets a very bad precedent indeed," he said.
In Britain the book was taken up by the independent publisher, Gibson Square. But on 27 September last year the London home of Martin Rynja, Gibson Square's publisher, was firebombed. As things stand, the book's British publication is indefinitely postponed.
Nor is this self-censorship restricted to literature. Ramin Gray, associate director of the Royal Court Theatre, recently admitted that he would be reluctant to stage a play that was critical of Islam. "You would think twice," he said. "You'd have to take the play on its merits but given the time we're in, it's very hard because you'd worry that if you cause offence then the whole enterprise would become buried in a sea of controversy. It does make you tread carefully."
The expressed intention of [Khomeini's] fatwa was to defend and strengthen the clergy, and one of its effects in Britain has been to create a kind of pseudo-clergy, a class of Islamist intellectuals and militants who presume to speak not just for their co-religionists in Britain but 1.5 billion Muslims worldwide. At the same time, in the late 80s and early 90s, another clergy of fundamentalist preachers, often refugees from despotic Middle Eastern regimes, began to attract a disaffected constituency that had been radicalised by The Satanic Verses protests. As Hirsi Ali put it to me: "The paradox in the UK with regard to freedom of expression is that most of the radical literature and most of the radical mosques moved from Syria, Egypt and Saudi Arabia and established themselves in the liberal West, where there is freedom of religion and expression, with the bizarre purpose of destroying those freedoms."
In the 20 years since the fatwa, the parameters of cultural debate in Britain and elsewhere have undoubtedly narrowed. If the Islam of Khomeini and other fundamentalists has played a key role in redefining what is and is not acceptable, then it is not the only factor. Other religions have also got in on the censorship act. In 2004 the play Behzti (Dishonour) was cancelled at the Birmingham Rep after a riot by Sikh protesters on the opening night. Christian groups too have taken to organising more intimidating protests - though with less success - against shows and productions they deem offensive.
Taken together they are all part of a multicultural accommodation that has come to determine the terms of public discourse. In hindsight, The Satanic Verses was published at a turning point in progressive politics. Throughout much of the 20th century a battle had been waged against discriminating on the basis of race (The Satanic Verses itself was avowedly anti-racist) and class. In other words, those aspects of humanity that are biologically inherited or socially imposed. For a variety of reasons, including the fall of the Berlin Wall later on in 1989 and the emergence of minority group activism, a new identity politics emerged. Class and race were replaced or trumped by culture.
The emphasis moved to combating cultural discrimination. All cultures were deemed equal, and therefore all components of culture - religion, tradition, beliefs - had to be protected from critical appraisal. Obviously culture is socially inherited, but in a free society it is also a matter of freedom of choice. The liberty to change your beliefs, reject your traditions and question your religion is what distinguishes individuals from members of an enforced collective. Such liberty necessitates the discussion and expression of ideas that may be unpalatable to others. Increasingly, therefore, this has become a process that is actively discouraged.more»
Excellent interview and associated article from the New York Review that opens a way to understand present day Iran by tracing the genealogy of its apocalyptic Islamic ideology to its location in the Zoroastrian world view. The review of the book by Abbas Amanat and his interview sheds needed light on current events (rc)
"During the past decade the Jamkaran mosque near Qom in Iran has become one of the most visited Shiite shrines, rivaling Karbala and Kufa in Iraq as pilgrim destinations. Here thousands of believers pray for intercessions to their messiah—the Mahdi or Twelfth Imam—whose return they believe to be imminent. Written petitions are placed in the "well of the Lord of the Age," from which many believe the imam will emerge to bring about universal justice and peace. Six months after his surprise election to the Iranian presidency in June 2005, Mahmoud Ahmadinejad predicted that this momentous eschatological event would occur within two years. With the turmoil in neighboring Iraq, where Shiites continue to be attacked by Sunni extremists, expectations for the return retain their appeal.
While the Shiite faithful (along with their Jewish and Christian counterparts) are still awaiting their messiah, the Islamic Republic is investing heavily in the Jamkaran shrine, spending more than half a billion dollars on enlargements that rival those of the Grand Mosque in Mecca, with vast interior courtyards and facilities—including offices, research centers, cultural departments, slaughterhouses, and soup kitchens—not to mention the farms where Jamkaran raises its meat. In a country where the religious establishment dominates state institutions, Jamkaran's burgeoning bureaucracy seems set to outstrip that of the longer- established shrine complexes of Mashhad and Qom.
While external observers perceive the struggle in Iran between conservatives and moderates in political terms, the Islamic Republic's conflicting ideological currents also find expression in the age-old rhetoric of the apocalypse, which originated in the region more than two thousand years ago. As Abbas Amanat explains in Apocalyptic Islam and Iranian Shi'ism, the Jamkaran makeover was part of the campaign orchestrated by conservative clerics in Qom against the government of former President Mohammad Khatami and his reformist allies.
Unlike many academics, Amanat, a professor of history at Yale, is willing to venture into regions outside his specialty of Iranian studies, which makes his book particularly valuable, as it is informed by the knowledge—all too rare among Islamicists—that Islam is one variant in a cluster of religions rather than a subject to be treated on its own. Messianic expectations are fundamental to all the West Asian religions, articulating forces that are both dynamic and dangerous:
The vast number of visitors to Jamkaran demonstrates the resurgence of interest in the Mahdi among Iranians of all classes—including the affluent middle classes in the capital—and the triumph of the Islamic Republic in capitalizing on symbols of public piety.
Although these symbols, such as the Jamkaran shrine, are specific to Shiism, their appeal—not to mention their mobilizing power—is universal. As Amanat points out, apocalyptic movements have been motors of religious change throughout history. Christian origins are inseparable from the spirit of apocalypticism that consumed the Judeo-Hellenistic world in late antiquity. Muhammad's early mission cannot be explained without reference to the "apocalyptic admonitions, the foreseen calamities, and the terror of the Day of Judgement, apparent in the early suras [chapters] of the Qu'ran." Later examples—to name but a few—include Martin Luther's call for reforming the Catholic Church and Sabbatai Zevi's claim in the seventeenth century to be the Jewish messiah. The Mormon church, the most successful of the new American religions, was born in the millennial frenzy that swept through the "Burnt-Over District" of upstate New York in the 1830s. Amanat sees all these as conscious attempts to fulfill messianic visions conceived on the ancient models preserved in Zoroastrian and biblical scriptures.
In a brief but masterful compression of insights gained from readings of Norman Cohn, founding father of millennial studies, and other scholars in the field, Amanat reviews the dynamics of apocalyptic histories. On the positive side the anticipation of imminent divine judgment can be translated into a message of social justice, with individual choice replacing dogmas handed down by ancestors, tribes, or communities. Historically, apocalyptic movements tend to be socially inclusive, appealing especially to the deprived, marginalized, and dispossessed. The negative side is the demonization of perceived enemies in a world where the People of God—the saved remnant of humanity—see themselves as the sole bearers of divine wisdom or knowledge. The utopian project of realizing paradise—when the messiah's followers choose to enact the millennial scenario in real historical time—may be as devastating as the earthquakes, fires, plagues, and wars of apocalyptic imaginings.... (see article)more»
Once again, Pakistan is in crisis, with Waziristan the newest "most dangerous place" in the world. Islamabad can't control the escalating conflict, and the government is again run by an unpopular, incompetent and nepotistic civilian administration.
And again, Pakistan is going hat in hand to the IMF, Saudi Arabia and China to face off oil prices, food inflation, dwindling foreign exchange and declining terms of trade.
Tariq Ali has been warning of Pakistan's collapse for four decades. For those sins, his books have often been banned there, and "generals, corrupt politicians and bearded lunatics" dislike him in equal measure. In The Duel, Ali provides a gossip-filled, witty and polemical history, revealing, with perspicacity and verve, the flight into the abyss. ... more»
Asked about the state of civil liberties in Iran, Ahmadinejad said Iranians enjoyed "absolute freedom" of speech.
"Don't worry about freedom in Iran," Ahmadinejad told reporters. "Newspapers come and go and reappear. Don't worry about it." more»
With the 1978 publication of Orientalism, Edward Said launched a critique of Western scholarship on the Middle East that still reverberates through academia and government. By characterizing Middle Eastern cultures as incapable of adapting to modern life, the early Orientalists, in Said’s view, hid their colonial, and indeed racist, biases. In the process, he suggested, Orientalists fooled themselves—and Westerners generally—into believing that their studies were undertaken with total neutrality. Said particularly attacked Bernard Lewis as the contemporary exemplar of this entrenched view. In a series of exchanges, Said argued that such scholarly bias contributed to the failure of the West to recognize Palestinians as a distinct people or to value Middle Eastern nations except for their oil. While Said did not live to see how Lewis’s views would influence the Bush administration’s policies in Iraq, the terms of his critique still divide scholars.
Despite decades of controversy, however, neither Said’s most recent supporters, such as Juan Cole and Rashid Khalidi, nor his most ardent critics, Raphael Patai and Daniel Pipes, have succeeded in subjecting Said’s concerns to a serious analysis that might address the central question: can scholarship on the Middle East ever be freed from its political context? ...more»
Abdullahi Ahmed An-Na'im is the Charles Howard Candler Professor of Law at Emory University School of Law. Originally from Sudan, An-Na'im is a disciple of nationalist leader and Islamic reformer and Sufi, Mahmoud Mohamed Taha, who was executed in 1985 by the regime of President Gaafar Nimeiry. Taha's pronouncement of his first political incarceration by the British is reminiscent of Sri Aurobindo's: "When I settled in prison I began to realize that I was brought there by my Lord and thence I started my Khalwah with Him."
An-Na'im's specialties include human rights in Islam and cross-cultural issues in human rights. He is the director of the Religion and Human Rights Program at Emory. He also participates in Emory's Center for the Study of Law and Religion. An-Naim was formerly the Executive Director of the African bureau of Human Rights Watch. He argues for a synergy and interdependence between human rights, religion, critical thought and secularism, instead of a dichotomy and incompatibility between them. more»
The single omnipresent historical reference in the American media immediately in the wake of September 11, 2001, was, of course,”Pearl Harbor”-- and those code words for it, "infamy" and "day of infamy," splashed in mile-high letters across the front pages of papers. What we had experienced, it was commonly said then, was "the Pearl Harbor of the 21st century." And with that image of the Japanese attack that began the Second World War for the United States went powerful, if only half-conscious, memories of how that war ended, of nuclear holocaust, and so the place where the World Trade Center towers went down was promptly dubbed "Ground Zero," previously a term reserved for the spot where an atomic blast took place.
Naturally, the idea that 9/11 was an "act of war," and that we were "at war," quickly and heavily promoted by the Bush administration, followed; and all of this would have been appropriate to a surprise attack by a nuclear-armed state, but not to an assault by 19 terrorists backed by a ragtag organization spread from Hamburg, Germany, to the backlands of Afghanistan. That the framework for taking in what had happened that day was so thoroughly askew mattered not a whit to most Americans at that time; and the rest, including the President's "Global War on Terror," came easily, if disastrously, in its wake. Now, "9/11" has become the "Pearl Harbor" of the twenty-first century, the antecedent and analogy of choice, and so, not surprisingly, it was on all but a few media lips, during the recent massacre and siege in Mumbai, India.
Arundhati Roy, the Indian activist and author of the prize-winning novel The God of Small Things was one of the earliest, strongest, sanest voices on this planet of ours to take on George W. Bush and his Global War on Terror. "The freshest voice on Earth," I called her back in 2003. She was an inspiration. Now, she turns to the events in her own country, in Mumbai, and explains just why using 9/11 as the analogy of choice there, as we once used "Pearl Harbor" here, will lead in no less terrible directions. ....more»
Imho, this is an important article about the pluses and minuses of religion, an interview with a former nun who has had many deep experiences of what she writes. Highly recommended. ~ ronjon
Karen Armstrong is a one-woman publishing industry, the author of nearly 20 books on religion. When her breakthrough book "A History of God" appeared in 1993, this British writer quickly became known as one of the world's leading historians of spiritual matters. Her work displays a wide-ranging knowledge of religious traditions -- from the monotheistic religions to Buddhism. What's most remarkable is how she carved out this career for herself after rejecting a life in the church.
At 17, Armstrong became a Catholic nun. She left the convent after seven years of torment. "I had failed to make a gift of myself to God," she wrote in her recent memoir, "The Spiral Staircase." While she despaired over never managing to feel the presence of God, Armstrong also bristled at the restrictive life imposed by the convent, which she described in her first book, "Through the Narrow Gate." When she left in 1969, she had never heard of the Beatles or the Vietnam War, and she'd lost her faith in God. ...more»
“Islamizing” modernity instead of modernizing Islam – preposterous! worries Professor Mohammed Arkoun. A refuge in poor countries, a rejection of “tele-techno-scientific reasoning” in rich countries, religiosity is spreading in the world at the expense of humanist values and philosophical thinking. ...more»
Here's a sample of Sufi teaching stories, from Indres Shah's book "The Way of the Sufi":
One day a man came to the great teacher Bahaudin. He asked for help in his problems, and guidance on the path of the Teaching.
Bahaudin told him to abandon spiritual studies, and to leave his court at once.
A kind hearted visitor began to remonstrate with Bahaudin.
"You shall have a demonstration." said the sage. At that moment a bird flew into the room, darting hither and thither, not knowing where to go in order to escape.
The Sufi waited until the bird settled near the only open window of the chamber, and then suddenly clapped his hands.
Alarmed, the bird flew straight through the opening of the window, to freedom.
"To him that sound must have been something of a shock, even an affront, do you not agree?" said Bahaudin. ...more»
On September 11, 1893, the world’s first Parliament of Religions opened in Chicago. Representatives of such a variety of religious and spiritual traditions had never before been assembled in one place. Delegates from every part of the globe read speeches before a huge audience at the inaugural session. Thirty-first on the list was a young, unknown Hindu. When his turn came, he rose to say the words the spirit would move him to speak. “Sisters and Brothers of America,” Swami Vivekananda began. What happened next was later described by a woman who was present that day. “I was at the Parliament of Religions in Chicago in 1893,” she recalled. “When that young man got up and said, ‘Sisters and Brothers of America,’ seven thousand people rose to their feet as a tribute to something they knew not what.” ...more»
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