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View Article  Orientalism Revisited: Edward Said’s unfinished critique (Boston Review)


With the 1978 publication of Orientalism, Edward Said launched a critique of Western scholarship on the Middle East that still reverberates through academia and government. By characterizing Middle Eastern cultures as incapable of adapting to modern life, the early Orientalists, in Said’s view, hid their colonial, and indeed racist, biases. In the process, he suggested, Orientalists fooled themselves—and Westerners generally—into believing that their studies were undertaken with total neutrality. Said particularly attacked Bernard Lewis as the contemporary exemplar of this entrenched view. In a series of exchanges, Said argued that such scholarly bias contributed to the failure of the West to recognize Palestinians as a distinct people or to value Middle Eastern nations except for their oil. While Said did not live to see how Lewis’s views would influence the Bush administration’s policies in Iraq, the terms of his critique still divide scholars.

Despite decades of controversy, however, neither Said’s most recent supporters, such as Juan Cole and Rashid Khalidi, nor his most ardent critics, Raphael Patai and Daniel Pipes, have succeeded in subjecting Said’s concerns to a serious analysis that might address the central question: can scholarship on the Middle East ever be freed from its political context? ...
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View Article  "Al-Kemi: A Memoir"
Al-Kemi recounts the story of the eighteen months that Andrew VandenBroeck, a painter and writer, spent in daily contact with the remarkable French philosopher, hermetist, and Egyptologist, R.A. Schwaller de Lubicz (1887-1961). Structured like a mystery, and distilled in the crucible of memory for fifteen years, Al-Kemi provides a passionately felt, personal, and dramatic introduction to the startling world of this contemporary alchemist (from back cover).

... Before reaching these particulars, it must be known that de Lubicz held the traditional conception of an esoteric science and its transmission: true knowledge is inaccessible to the rational mind. This epistemological tenet caused his writings to be spiked with metaphor, innuendo, and at times, obscurity. He mistrusted the written word, disliked writing because truth was inevitably degraded when committed to paper through a profane language. This attitude most clearly ordinates the lineage along which he inscribes himself by his premises and his results. His low regard for “demotic” writing as a means of truth-communication made personal contact with him invaluable, for he had no such reservations concerning the spoken word, the word of gesture. Thus he actively believed in oral transmission of a kind of knowledge best called “gnosis,” [3] and in private, I always found him accessible to leisurely conversation on the most exalted topics. As our relationship soon proved more than casual, his information became increasingly direct, in contrast to his written expression which often presents problems of meaning and referent.

    To such an epistemology, personal contact is the kingpin of communication, and I found out later to what extent his frame of reference was tailored to his correspondent. ...
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View Article  The Internet Sacred Text Archive, ref. by Yatanti
Thanks to Yatanti for referring us to this site re "The Works of Rabindranath Tagore" and other sacred texts.  ~ ron
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Rabindranath Tagore (1861-1941) was a Bengali poet, philosopher, artist, playwright, composer and novelist. India's first Nobel laureate, Tagore won the 1913 Nobel Prize for Literature. He composed the text of both India's and Bangladesh's respective national anthems. Tagore travelled widely and was friends with many notable 20th century figures such as William Butler Yeats, H.G. Wells, Ezra Pound, and Albert Einstein. While he supported Indian Independence, he often had tactical disagreements with Gandhi (at one point talking him out of a fast to the death). His body of literature is deeply sympathetic for the poor and upholds universal humanistic values. His poetry drew from traditional Vaisnava folk lyrics and was often deeply mystical.

LAST night I dreamt that I was the same boy that I had been before my mother died. She sat in a room in a garden house on the bank of the Ganges. I carelessly passed by without paying attention to her, when all of a sudden it flashed through my mind with an unutterable longing that my mother was there. At once I stopped and went back to her and bowing low touched her feet with my head. She held my hand, looked into my face, and said: "You have come!"

In this great world we carelessly pass by the room where Mother sits. Her storeroom is open when we want our food, our bed is ready when we must sleep. Only that touch and that voice are wanting. We are moving about, but never coming close to the personal presence, to be held by the hand and greeted: "You have come!" ...
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View Article  Phenomenology of Non-Factual Intersubjective Practice - Translation Exercise by Debashish Banerji
This translation of an excerpt from Abanindranath Tagore's Apan Katha (Self-Story) presents an example of the artist's worlding - a willed disposition to experience by which we make for ourselves a home in the world through creative relationship. ...   more »